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These are Am, D and G.Ī I VI IV V progression in G Major uses the 1 st, 6 th, 4 th and 5 th chords. These are G, D, Em, and C.Ī II V I progression in G Major uses the 2 nd, 5 th and 1 st chords. These are G, C, and DĪ I V VI IV progression in G Major uses the 1 st, 5 th, 6 th, and 4 th chords. As you’ve already learnt G major, it makes sense to start here:Ī I IV V progression in G Major uses the 1 st, 4 th, and 5 th chords. When you play a scale in other keys, we take the scale shape and place it on a new root note. The G major scale starts from the 3 rd fret of the Low E string. You can apply your own rhythms to fit your vision for what you’re writing. The strumming pattern for this example is just straight quarter note (One strum per beat). Let’s look at these 5 progressions in 4 common keys. If you were doing this in another key, you would use the same theory but the chords would be different. Therefore, the chords used would be G, C, and D. In the key of G, they are all major chords. Each interval in the progressions listed above is a specific chord type.įor example, I IV V is the 1 st, 4 th, and 5 th chords of the scale. This is where understanding how the scale and its intervals fit together. I VI IV V – Ideal for classic Love SongsĬhord progressions are often notated in Roman Numerals as shown here.I V VI IV – Great for Ballads and Anthemic Rock.Here are some common progressions you might see: This is a simple way of spelling out a progression without committing to a set of notes, making it easier to transpose to other keys. Now that you know the scale, it’s also useful to understand that intervals can also be used to write out chord progressions. The only thing that changes is the notes of the major scale based on the key you play it in. Whatever key you place this is, the intervals and chords associated with that interval remain the same. Now you have 7 notes of the major scale and 7 chord types associated with each note. This piece of theory is very useful to remember because this is what will allow you to move this to other keys later on in this lesson. Now that you know the intervals, we need to fit a specific chord type to each of these intervals. The major scale is going to be your blueprint for guitar theory. Now that we know the shape, we need to know the notes of the scale and give each one a number, known as an interval: I Let’s start by looking at the major scale in the key of G: The great thing with this concept is that you can apply it in any key you want, more on that later. The theory you’re going to learn relates to the Major Scale and how this can be used to create chord progressions. Don’t worry if this is all new, it will sink in very fast and before you know it, it will feel like a very natural process.
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Before you get started you need to learn a little basic theory.
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